THE FLUIDITY OF STONE AND THE SENSUALITY OF WATER. AS IN SCULPTURE, WHEN THESE ELEMENTAL OPPOSITES ARE UNIFIED THEY SPEAK TO AN ESSENTIAL TRUTH: A DESTABILIZING BALANCE THAT NICCOLÒ PASQUALETTI SEEKS.

UNSEEN SHAPES EMERGE FROM INTUITIONS, AN ERGONOMICS OF DESIGN WHICH ENABLES A DEEP INTEGRATION INTO EVERYDAY LIFE.

THE ARTFORMS OF CLOTHING AND JEWELLERY ARE UNDIFFERENTIATED IN NICCOLÒ PASQUALETTI’S VISION. EACH ACQUIRES THE QUALITIES OF THE OTHER; LONGEVITY COMMUNES WITH EPHEMERALITY. BY EMBRACING THE SPONTANEITY OF FOUND OBJECTS, NICCOLÒ PASQUALETTI HAS UNEARTHED A NEW PERSPECTIVE ON THE CONCEPT OF THE ONE-OF-A-KIND PIECE.

NICCOLÒ PASQUALETTI’S WORK IS DISTINGUISHED BY ITS FULL EMBRACE OF AMBIVALENT ANDROGYNY, ROOTED IN THE GEOMETRIES OF NATURE. TRAINED IN VENICE AND BELGIUM, HE WENT ON TO UNDERTAKE HIS M.A. IN WOMENSWEAR AT CENTRAL SAINT MARTINS, AND THEN WORKED FOR THE ROW, ALIGHIERI, AND LOEWE. UNDER THE STELLA MCCARTNEY SCHOLARSHIP HE INTENSIFIED HIS COMMITMENT TO THE SUSTAINABILITY OF HIS METHODS AND MATERIALS, AND NOW WORKS CLOSELY WITH ARTISANS LOCAL TO HIS NATIVE TUSCANY.

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